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the work of hands

March 23, 2009 By shutter sisters

Being in an artist’s studio is like magic for me. It makes me feel as though I should tip-toe and hold my breath for fear of disrupting that invisible and elusive creative force we coax and crave. You can really sense its presence in spaces like this – in the form of splattered paint on the floor, muddy buckets of water, and globby tubes of paint. You can see it in rough sketches and handwritten words found on scraps of paper scattered across a desk or taped haphazardly to the wall. When I visited briefly with Tom Swanston in his studio that day, I left with a handful of odd images like this. Not one of them contained a single finished work by Tom, nor his artist wife Gail Foster and I must tell you that the paintings were fabulous. But I keep coming back to this one… and the tenderness of his hands clasping his wife’s canvas.

Let’s see the work of hands today. Or share a sacred space.

the six questions featuring laura noel

March 12, 2009 By shutter sisters

Image Copyright Laura Noel

Today’s interview features Laura Noel, an Atlanta-based fine art photographer. I first encountered Laura’s compelling work on display at the Atlanta Celebrates Photography (ACP) Portfolio Review last October where she shared “Deliver Me” – a portrait series of smokers that “explores a diverse group of Americans united by a dangerous habit.” Laura is currently pursuing a Master of Fine Arts in Photography from the University of Georgia. This month, she hosts a solo exhibition in the Hunt Gallery at Oxford College of Emory University from March 19 – April 23. Georgians, come meet her at the opening reception on Thursday, March 19 5:00pm – 8:00pm. Welcome, Laura!

1. What’s the story behind this photo?

This photograph, called #44, is part of a series called All’s Fair — the series loosely explores ideas related to love and violence and what we do to achieve or avoid these emotions and encounters. I am interested in finding signs and clues in the contemporary landscape that point to American values with regard to this topic. This photo has a sense of mystery and a strong graphic structure, which is a compelling combination.

2. What was it that lit your photography spark? Do you remember a particular camera, course, person, roll of film?

I wanted to be a reporter but didn’t like asking people questions, and all along I’d taken photographs in high school of weird things like a new pair of shoes hanging in my shower or all my graduation gifts lined up on the bed. I sort of woke up one day when I was a senior at Duke University (after being the news editor of the student paper) and realized that all along I had wanted to be a photographer. So I spent my last year driving to UNC Chapel Hill and NC State to supplement the courses at Duke. Now they have the Center for Documentary Studies but in 1988, it was in its infancy.

I was also lucky enough to meet Wendy Walsh who was a photographer at the local independent newspaper, and she graciously met with me once a week to talk about photography. At the time I took it for granted but now I realize what an incredible gift of her time and talent she gave me. She turned me onto Sylvia Plachy and others.

3. What’s your photo philosophy? Does it reflect your life philosophy?

Whenever I encounter this question, I want to steal better answers from other artists, like Gary Winogrand who said he photographed to see what things look like on film. Or Diane Arbus who said certain things would go unseen, if she didn’t photograph them. For me, photography is a way of expressing ideas that motivate me. First of all, I am interested in the intersection of the magic and the mundane. Sometimes beautiful or mysterious objects are placed out of context in a hum-drum setting and become more powerful or more interesting when placed in these unlikely spots. Sometimes these scenes are obvious but sometimes you have to have “eyes to see” and this is where I come in.

Another reason I photograph is as a method of coping with the world and its problems. Sometimes I feel overwhelmed by the banality of our strip mall culture I am immersed in, and I photograph that culture not to point out its emptyness but to find hidden gems of humor or mystery or interest.

4. Where do you look for inspiration?

Photographers such as William Eggleston, Sylvia Plachy, Robert Frank, Martin Parr, Luc de la Haye, Trente Parke, etc. Also the films of Nicolas Roeg (Walk About, The Man Who Fell to Earth, Don’t Look Now) and those of Wim Wenders.

5. If you could go anywhere in the world for an epic, weeklong photo excursion all by your luxuriously unhurried self – regardless of money, time or childcare issues – where would you go and why?

Japan for its long visual history and support of photography. Plus I like rain and neon and imagine it looks like Blade Runner. My son thinks Pokemons walk the streets of Tokoyo — so we both want to go.

6. Are there women out there that you consider your shutter sisters? Who and why?

Sylvia Plachy for always following her inner voice and eye. Because when people hire her to take photos they want her vision, not just coverage — and that’s the career I am working towards, as well. Because she writes beautifully and always embraces the mystery in life.

Go Where You’ve Never Been

March 9, 2009 By shutter sisters

I’ll admit, I didn’t know what to expect, but I was extremely excited. Last Friday I was invited with a handful of bloggers (by my friend and previous business partner James Harris) to go behind the scenes and shoot a live, sold-out performance of a circus in Atlanta, but not a typical circus. This was the UniverSoul Circus, a sixteen-year-old circus comprised of 60 performers from all over the world including Ethiopia, China, Russia, Gabon, Guinea, South Africa, Trinidad, Colombia, Brazil, and Dominican Republic. A circus primarily marketed to African American audiences in thirty cities throughout the United States.

Simply put… it’s a circus with serious soul. And despite the fact that I technically don’t fit the target market, I was blown away by the performers, laughed out loud throughout the show, danced in my seat, sang with the audience, and left with some of the most interesting images I’ve ever shot. The energy under that tent was electric and the whole experience reminded me that it’s good to go where you’ve never been.

Show us something extraordinary today.

One Sweet Shot – March 2009

March 8, 2009 By shutter sisters

I recently found my sweet shot honoree in a flickr pool called I Collect Light (lovely idea for a photo group, isn’t it?). This shot totally captivated me. The subject matter, the perspective, the llight (that gorgeous glowing light) that is falling upon these feet like a blanket all work together to create such a compelling image. Like any good hostess, I invited it to our group. Delighted that the invitation was accepted by the photographer Kay V I dug a little deeper.

Turns out Kay V (Kayla) who is a very talented photographer who captures amazing self-portraits among other lovely things is seventeen years old. Utterly blown away and totally inspired by the creative offerings of such a young women I was delighted to be featuring her and her image today as my Sweet Shot. Be sure to really dive into her Flickr stream and send her some sisterly love. I only wish when I was seventeen I had the vision that she has not to mention creative women to support me. Let’s be sure to give her and other young shutter sisters we come accross the praise they so deserve. Thank you Kayla for sharing your image with us today. Keep up the amazing work.

And now I present you with a number of other amazing shots that we are honoring today-

Ana Paula Dan is honoring this shot from Miss ellan eous

Meryl is honoring this shot from lempel_ziv

MyInspiredHeart is honoring this shot by Dawndh

Kelly S is honoring this shot by Lauren {elycerose}

Alicia is honoring this shot from {anah na uwr}

Rachel is honoring this shot from Amanda

Debbsga is honoring this shot by Cosi!

Contentedness is honoring this shot by segolily

Katherine Froilan is honoring this shot by jljjld

And these ladies could possibly decide between their 2 favorite shots so…

Diane is honoring both this shot by dawndh and this one from sew fab martha

Camera shy momma is honoring both this shot from mindwhisperings and this shot from Sarah-Ji

And last but not least Cosi is honoring both this shot from michelewithonel and this shot by Miss KB

 

As always, thank you for your participation. It’s such fun to celebrate such sweet shots!

 

Until next month…enjoy the clicks.

 

Sights Unseen

March 6, 2009 By shutter sisters

I found this in my fridge the other morning. Before I tossed it in the trash—it was long past the point of being still edible—the insides this bell pepper caught my eye. Mesmerized by the patterned intricacies of the seeds I sat it on the kitchen counter. Once I got the kids off to school I came back to study, and yes photograph this strange and surreal object.

 

Later that afternoon I showed my 11-year-old the images. She was bewildered.

 

You took that picture? What in the world?

 

 

 

 

Indeed. There is nothing about this that feels familiar. That’s what makes it so curious and compelling.

 

The smooth and shiny bright outside of a pepper is interesting in itself but until one peels back the layers and looks at what lies within, part of that story remains untold.

 

So, what about looking behind the curtain today? What do you see?

Tag. You’re it.

March 3, 2009 By shutter sisters

So, I was tagged by Sheri for this little self-portrait photo thing.

How to play the game:
1. Sit down.
2. Take a picture of yourself right now. don’t primp, just snap one!
3. Upload it.
4. Tag 3 people to do the same.
That’s all!

I’m bending the rules a little bit because for one, I converted my shot to black and white (is that allowed?) and I am tagging ALL OF YOU to play along.

Grab your camera, sit down and click a shot of yourself, get it up on your blog or at Flickr and leave us the link. We want to see the real you, right here, right now.

Word Up

February 28, 2009 By shutter sisters

{true love}

 

As February comes to an end—where does the time go?—we wrap up the first month of our One Word Project. With the rich list of words that you all brought to the project, the images that have been gathering in our Flickr pool have been inspiring and inventive. What an experience it has been! Exceptional work sisters. We so appreciate the focus from all of you this month. It has made this project such fun!

 

Tomorrow we begin a new month of the project, where there will be one word (the same word) for all of us to interpret. We’ll be announcing the mystery word, new sponsor and fantabulously fun giveaways in tomorrow’s post but for now we want to acknowledge all of the awesome shots you shared this month. Thank you all.

 

A special thanks to Lensbaby for sponsoring February’s One Word Project and for encouraging us to mix things up and bend the rules sometimes.

 

We’ll end with the announcement of the winner of Lensbaby Composer—drum drum roll please—Leaca of Simply Blogged who’s tender image of amore carried us away. Congrats to you Leaca. We know you’ll be a great mama to your new Baby!

 

Today, as we wind down the month and poise ourselves for the next, please share a link to your favorite shot from the project (something you shot or something from someone else). Come on, inspire us.

Study of a Creative Life

February 23, 2009 By shutter sisters

I grabbed the hyper-detailed directions and dashed out Saturday morning towards Canton, GA to capture the first episode of my new digital documentary series focused on creative souls in the south. Artist Melanie Eberhardt and I have been friends for many years. There’s a great ease about our relationship, where conversation and laughter flow effortlessly and we leave each other feeling nourished, inspired, and really tired.

There’s also a hefty bit of mileage and wrong turns between us, but I knew I wanted the first episode to feature Melanie in her own space. Aside from being one of the most creative people I know, she lives a colorful life in a small trailor on four acres of land at the end of the tire tracks, off the gravel road. She shares this space with four Arabian horses, pony Joe, a (once-stray) pot-belly pig, twelve cats of various shapes, colors and tail-lengths, a (once-stray) Cockatiel, and a (once-abandoned) spit-fire Daschund/Laborador Retriever mix named Lucky.

“Promise me you will not clean your house,” I said firmly. “I mean it. I want the real you. The real studio. The real space. And don’t wear anything you wouldn’t normally wear. People need to see the real you.” And when she greeted me at the door with her torn bluejeans and muddy boots, I knew all would be well. I captured nearly 10GB of still images, video and audio of Melanie and her world that day. Watching. Studying texture and motion. Searching for details. Asking questions. Digging deep. Freezing moments in time. Shining a bright light upon a significant soul.

Tell me about the creative people in your life.

The Six Questions Featuring Anna Kuperberg

February 5, 2009 By shutter sisters

We’re over the top delighted to be hearing from the amazing Anna Kuperberg for our Six Questions series. Remember when we said there are really  Eight Questions but participants only have to answer Six? Well, Anna graciously went above the call of interview duty and addressed all Eight of our burning questions. Lucky us. Enjoy!

 

What’s the story behind this photo? 

 

I love this photo because it is a mix of planned and unplanned. The horse just showed up at the wedding, on the other side of the fence. So I brought the bride over. I planned the light, which was a remote flash held off to the side by my assistant. I remember being frustrated waiting for the flash to recycle, and I could not take photos as fast as I wanted, and the horse was moving, and the light was changing because it was dusk. But then this moment happened, where the bride looked down and she looked so thoughtful and gorgeous, and everything came together in that moment. I think she looks so relaxed and contemplative because I was messing with the flash, and she didn’t know I was really taking a photo. So it was a moment of her really being herself.

What was it that lit your photography spark? Do you remember a particular camera, course, person, roll of film?

I’ve wanted to be an artist as long as I can remember. As a kid, I did all kinds of things: drawing, painting, and making a mess with Play-Doh. My mom took a lot of photos and I would always beg her to use the camera. The camera was like this precious thing and she would say, be careful, don’t break it, don’t waste film, you can only take one photo, or something like that. So it was very exciting and special to get to use the camera. I remember once taking photos of a cat outside when I was eight years old, and being very disappointed once I got the photos back, because the flash was on and I didn’t like how it made things “too white.” I was frustrated at not understanding how the camera worked and I wanted to figure it out.

What’s your photo philosophy? Does it reflect your life philosophy? 

To me, connections between people are very important and very interesting. And I should include animals too. This shows up in my photos and it is part of my life philosophy as well.

 

Where do you look for inspiration?

 

I love both raw gritty photojournalism and also highly stylized set ups. I also like writers who are on the border between fiction and non fiction, for example right now I am reading Kurt Vonnegut and I love his style. I like movies that are beautifully shot and lit. But I also like documentaries that show something about humanity, even if the technical quality is bad. So I think I’m attracted to the line between what is real and what is the artist’s interpretation.

 

What would you say is one of your ‘signature’ editing tricks, themes or style? What do you think makes an image recognizable and uniquely yours?

I don’t really have any tricks but I do have a quirky sense of humor mixed with a deeply sentimental side. That usually comes out in my photos.

 

What aspect of your photography are you constantly working on, trying to improve?

 

I think the hardest thing for me is that I photograph weddings, dogs and babies, which are naturally romantic and cute. It would be easy to stop there. Anyone loves to look at something pretty even if it’s shallow. But I try to push it further, so it’s something more multilayered, or more subtle, or more important.

 

If you could go anywhere in the world for an epic, weeklong photo excursion all by your luxuriously unhurried self – regardless of money, time or childcare issues – where would you go and why?

 

Nepal. I have never been there but my understanding is that it is both visually beautiful and very poor, so it’s a place that needs attention and one way to do that is with great photos.

 


Are there women out there that you consider your shutter sisters? Who, and why?

 

My friend Amy Deputy has a very deep soul. Also Linda Wallace has a better sense of humor than I do, and it really shows in her photos. Also Angelica Glass in Brooklyn is a wedding photographer who really breaks rules and isn’t afraid to be herself. That’s the best quality in a shutter sister!

Be sure to visit Anna’s website (if you haven’t already) and check out her blog which will keep you up to date on her whereabouts, including when she’s teaching her next Kuperskool workshop. The inspiration never ends!

The Six Questions featuring Millie Holloman

January 29, 2009 By shutter sisters

 

Rockin’ photographer Millie Holloman is our second stellar sister to answer our Six Questions. Here’s what she’s got to say.

 

What’s the story behind this photo?

This photo was taken during an engagement session in the country. We were walking through this golden field in the same city the couple grew up. It just felt right to have them lay in this field together so I asked them if they would and of course being the awesome people they are, they agreed! I cropped it this way because I wanted you to feel the romance and sense how they were there in this timeless place with no worries in life but only love! It also has an aspect of secrecy which I love. Just think, anyone could drive by and look at that field and never see them there… The truth is… this photo takes me there because it could be anyone really and what a splendid afternoon!

 

Where do you look for inspiration?

I look for inspiration in every day life… I know that sounds cliché but it is so true! It might be something I see someone wearing, a place I have never shot, a photo in a magazine, a simple statement, a blog or website. In the right moment something incredibly simple like a shadow or bubbles could inspire when I start thinking of all the possibilities!

 

What would you say is one of your ‘signature’ editing tricks, themes or style? What do you think makes an image recognizable and uniquely yours?

My editing style is very crisp and clean with a touch of sharpening. I really try to keep things looking natural although every now and then I do spring for a texture or unique edit because the image needs something more. I think what makes people think of us is, bright natural colors with emotion, energy, personality and fun moments. When you mix it all up, it just works and blends to really give a great story and feel!

 

What aspect of your photography are you constantly working on, trying to improve?

For me it is more like what I am not? I always think there is room to learn more, if my pea sized brain can retain it that is. This year I am resolved to learn more about lighting and really study both studio lights and strobes so I am even more comfortable with them both. Last year was working with flare from natural sunlight which was soooo much fun!

 

If you could go anywhere in the world for an epic, weeklong photo excursion all by your luxuriously unhurried self – regardless of money, time or childcare issues – where would you go and why?

I would go anywhere that I could just sit and enjoy life all day long while shooting only the simplest most beautiful things I could find. This place must included one of those huts that you have to walk out over the water to get to and the water has to clear and beautiful. I have just always wanted to do this and can’t imagine how relaxing it would be, of course it would have to include massage!

 

Are there women out there that you consider your shutter sisters? Who, and why?

If by that you mean other women in photography who I can’t live without, then YES! Kelly Moore, Davina Fear, and Lauren Clark. These girls are AHHH-Mazing friends that are better than a girl could ask for. We all teach Love Affair Workshop together and we have managed to create an amazing bond of friendship where we can inspire one another, share deeply, lay out our struggles openly, laugh, cry and be real without any fear or reservation. I love these girls with all of my heart and think everyone needs someone like them in their life!

 

You can find Millie Holloman, her gorgeous work and the super-cool photography team that make up Millie Holloman Photography on the website and blog. They not only shoot events and families, they offer workshops, the truthbooth and an all-around good time.

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